DOMENICO DE CLARIO
Born in 1947, Trieste, Italy.
1973-7 Diploma of Art Preston Institute of Technology
1996-98 Master of Art Preston Institute of Technology
1996-98 Master of Arts Performance Studies at the Victoria University of Technology
1998-2001 PhD Performance Studies at the Victoria University of Technology
SELECTED SOLO EXHIBITIONS/PERFORMANCES
2007 that time, Arc One Gallery, Melbourne
2006 twenty-two paintings (breathing for biagio walking), Arc One Gallery, Melbourne
2005 cares of a family man (philomela and odradek) Adam Art Gallery, Wellington N.Z.
rice and celery (tonglen) Perth Institute for Contemporary Arts, Perth
a second simplicity Australian Centre for Contemporary Art, Melbourne
seven live horses from uqbar Breadbox, Perth
philomela Perth Institute for Contemporary Art, Perth
co-dependent arising NRLA, Midland Railway Workshops, Perth
the universe as a mirror Artspace, Sydney
seven times thank you paintings/text Arc One Gallery, Melbourne
2004 live performance Club Zho, Perth with Burnt Friedman/Hayden Chisholm
seven times thank you, paintings/text Goddard de Fiddes Gallery, Perth
home on the range performance at the breadbox perth
prosthetic head performance with stelarc, lindsay vickery, cat hope, PICA Perth
random selection; pattern, order and chaos Holmes a’Court Gallery, Perth
2003 floating land, Noosa Regional Gallery project, Tewantin, Queensland
the householders’s concern Tasmanian Conservatorium of Music, Hobart
plea to my mother West Australian Academy of Performing Arts, Perth
seven beauties Spectrum Project Space, Perth on learning to be dead Quaranup Quarantine Centre, Albany, Western Australia
borges e io’ Link, Bologna, Italy
eleven sons Albany wind farm, Albany, W.A.
the blue room and the coloured room Spectrum Project Space, Perth
the householder’s concern Kurb Gallery, Perth
2004 amplification circle Adelaide churches, Adelaide Festival of Arts, Adelaide
spectrum at spectrum Spectrum Project Space, Perth
church with Eugene Carchesio Spectrum Project Space, Perth
collaborative sound performance with Eugene Carchesio at Bellas Gallery, Brisbane
tonglen (the infinite lawn) Artspace, Sydney
a project with Janine Antoni and Paul Ramirez, Jonas Atlantic Center for the Arts,
Florida, United States of America.
borges and I Midland Railway Workshop, Perth
edipo Hotel 6151, Perth
december 12 raga (rain) Velvet Lounge, Perth
2001 the infinite lawn Deer Acres, Acadia, Maine, U.S.A.
pietre parlanti’ Corte del Teatro Malibran, Venice, Italy.
detritus Belconnen Landfill, Canberra
a calvinian architecture Northcote, Melbourne
2000 the albino gorilla Southbank, Brisbane, for Monochromes.
il prato infinito Via Croce 3 Gorizia, Italy
rice and celery; or the pronunciation of commas Biblioteca Statale Isontina, Gorizia, Italy
the seed-bed of desire Museum of Contemporary Art, Salvador, Brazil
Haft Peikar Mass Gallery, Melbourne
tongleN (7 conversazioni with les estrellas Wattari-Um Museum, Tokyo,
7 invisible conversations between Marco Polo and Kublai Khan, Venice Carnevale, Venice Italy tongleN (7 conversazioni with les estrellas) Artspace, Sydney
1999 tongleN (conversazioni with les estrellas) Herring Island Sculpture Park, Melbourne
tongleN (13 conversazioni with les estrellas) Liverpool Biennale, Liverpool, UK, 2000
tongleN (conversazioni with les estrellas) Silpakorn Arts Centre, Silpakorn University, Bangkok , Breathe This Salvador de Bahia, Brazil Salvador Museum of Contemporary Art, Salvador
Seedbed of desire About Studios, Bangkok
Silpakorn Arts Centre, Silpakorn University, Bangkok
1998 Billabong Formulas Michael Milburn Gallery, Brisbane
Eudoria Linienstrasse Gallery, Berlin,
Love Songs for Lost Sheep Melbourne
Construction in Process VI: The Bridge Living Museum of the West Melbourne
Construction in Process, VI: The Bridge Polly Woodside (Eufemia, Melbourne
My Own Particular Anxiety (Eudosia) Art Gallery of New South Wales, Sydney
The awakening Govett-Brewster Gallery New Plymouth New Zealand
1997 Songs for the Unborn Mori Gallery, Sydney
Hourglass (Possible Laudomias) Mori Gallery, Sydney
The Meadow of the Low Sage, Haus-am-Waldsee, Berlin, Germany
the diver’s clothes lying empty: Domenico de Clario: A Survey 1966 - 1996, Monash University Gallery, Melbourne
Advantage of Seven, Squash performance, Monash University Sports Centre, Melbourne
1996 KATEDRL 141 West 22nd Street, New York
KATEDRL (Cathedral), Mori Gallery, Sydney
KATEDRL (apokalypsis: 1993 - 1996Michael Wardell Gallery
The Second Simplicity Australian Centre for Contemporary Art, Melbourne
1995 Instructions for the Other Self Michael Wardell Gallery, Melbourne,
Seven-ness at various sites, Melbourne
From the Opaque Michael Wardell Gallery, Melbourne
Who Says Words With My Mouth? Michael Wardell Gallery, Melbourne
Who Says Words With My Mouth? University of Western Australia, Music School, Perth
From the Opaque (Solstice) Thread Waxing Space, New York, 1994
Solstice: The Seventh Loneliness, Auburn Uniting Church, Hawthorn
From the Opaque, Summer Solstice Princes Pier, Melbourne
1993 Components of an Expression Machine 342 Brunswick Street, Fitzroy; 35 Smith Street, Fitzroy Bradken Foundry, Pascoe Vale:
The Trees: Visible, Invisible, Indivisible Australian Centre for Contemporary Art, Australian Sculpture Triennial, Melbourne
Afterward (from a tower) 25 Helen Street, Northcote
Elemental Landscapes Murdoch Court, National Gallery of Victoria, Melbourne
1992 A Message from the Emperor ADA Basement, Fitzroy, Melbourne
Eleven Sons Mori Gallery, Sydney:
Eleven Sons Ian Potter Gallery, University of Melbourne Museum of Art:
Eleven So Muranushi Lederman, New York
1991 Machine for Contacting the Dead, Installation Institute of Modern Art, Brisbane
Memory Palace Cable House, Melbourne
The Mendicant of Naples and Other Stories(Work from New York) Mori Gallery, Sydney
Memory Palace Dooley Le Cappellaine Gallery, New York, U.S.A.
The Next Village Muranushi - Lederman, New York, U.S.A.
Excursion into the Mountains 252 LaFayette, New York, U.S.A.
Cathedral 252 LaFayette, New York, U.S.A
1990 Uncertainty Principle: Recent Work Powell Street Gallery, Melbourne:
Memory Palace: Recent Work, Installation Mori Gallery, Sydney
Machine for Contacting the Dead, Installation Wollongong City Gallery, Wollongong
1989 Paintings Macquarie Galleries, Sydney
Installation Popular Front, Coolaroo
Recent Work Powell Street Gallery, Melbourne
1988 Inaugurative Exhibition: Painting Survey 1968 – 1988 Qdos Gallery, Lorne,
Drawing Survey 1968 – 1988 Macquarie Galleries, Sydney
Tabula Rasa: Paintings Powell Street Gallery, Melbourne
1987 Paintings Macquarie Galleries, Sydney Macquarie Galleries, Sydney
1986 Paintings Macquarie Galleries, Sydney
Piano Performance and Installation Australian Centre for Contemporary Art (ACCA), Melbourne
Paintings Powell Street Gallery, Melbourne
1985 Paintings Galleria Lillo, Venice, Italy
Piano Performance, Il Paretaio, Pisa, Italy
Paintings Macquarie Galleries, Sydney
Drawings Powell Street Gallery, Melbourne
1984 United Artists, Melbourne
Galleria Lillo, Venice, Italy
Il Paretaio, Pisa, Italy
1983 Pinacotheca, Melbourne
1982 Piano Performance, Open Stage, Melbourne State College
1981 Pinacotheca, Melbourne
Anzart, 7-day Piano Performance: In Seven Keys, Christchurch, New Zealand
Anzart, Performance: Advantage of Seven, Squash Court #1, Christchurch Sports Centre
1980 Experimental Art Foundation, Adelaide
Piano Performance, La Mama, Melbourne
Elder Park, Adelaide Festival of the Arts (Piano Performance), Adelaide
1979 Pinacotheca, Melbourne
1978 Pinacotheca, Melbourne
1977 Pinacotheca, Melbourne
Organ Factory, Clifton Hill (Piano Performance)
1976 Experimental Art Foundation, Adelaide
Pinacotheca, Melbourne
1975 National Gallery of Victoria, Artist's Artists Pinacotheca, Melbourne
Pinacotheca, Melbourne
1974 Pinacotheca, Melbourne
1973 Pinacotheca, Melbourne
1972 Osborne & Polak, Melbourne
1971 Osborne & Polak, Melbourne
1970 Strines Gallery, Melbourne
1969 St. Peter's Hall, East Melbourne (Sculpture, Paintings & Prints)
Hamilton Regional Art Gallery
1968 Salone Annunciata, Milan, Italy 1968
Casa Santi, Urbino, Italy
1966 Athenaeum Gallery, Melbourne
SELECTED GROUP EXHIBITIONS
2006 21st Century Modern 2006 Adelaide Biennial of Australian Art, A.G.S.A. Adelaide
2004 geometer 2 Monash University, Melbourne
2003 ersilia a light installation made of found material for
this was the future a review of Australian sculpture, Heide Museum of Contemporary Art, Melbourne
geometer 1 Monash University, Melbourne
2002 7 solo performances Adelaide Festival of the Arts, Adelaide
2000-2001 Monochromes, Queensland University of Art Gallery, Artspace and Southbank, Brisbane
2000 La Quietudine de Terra, (The Quiet in the Land), Museum of Contemporary Art, Salvador
1999-2000 Ways of Seeing, Regional Galleries throughout Australia
1999 Word, Museum of Modern Art, Sydney
Installation & video, Liverpool Biennale of Contemporary Art, Liverpool, UK,
Water Festival Piano Performance, Moomba Festival, Melbourne
1998 The Quiet In the Land: Everday Life, Contemporary Art and the Shakers, Institute of Contemporary Art, Boston, USA
1997-98 McCaughey Invitation Prize, National Gallery of Victoria, Melbourne
1997 Australian Works on Paper, Galerie Titanium, Athens, Greece
On Dialogue, Haus-Am-Waudsee, Berlin
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, Portland Museum of Art, Maine, USA
1996 Blast, Thread Waxing Space, New York, March
Inaugural Group Show, Michael Wardell Gallery, Melbourne
The Cauldron - Fusion of the 5 Elements with Liza Lim, Deborah Kayser, Chris Lockhart Smith, Kirsten Boerema, Carl Rosman.
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, Shaker Village, Maine, U.S.A
The Cauldron - Fusion of the 5 Elements, with Liza Lim. Institute of Modern Art, Fortitude Valley, Brisbane,
1995 Bardo Thos' Grol,with Liza Lum and performed by members of Elision Contemporary Music Ensemble, Perth
Seven-ness, with Judith Wright, IMA, Brisbane
Our Parent's Children, National Gallery of Victoria, Access Gallery, Melbourne
1994 Contemporary Australian Drawing, National Gallery of Victoria, Melbourne
Recent Acquisitions, Monash University Gallery, Melbourne
Afterward: From a Tower(with Liza Lim) Auburn Uniting Church, Hawthorn
Bardo Thos' Grol, Hillside Auto Dismantlers & Summerland Demolitions,
Lismore, with Liza Lim, and performed by members of Elision Contemporary Music Ensemble,
600,000 Hours (Mortality), Experimental Art Foundation, Adelaide
Reliquary, Contemporary Music and Circuitry, Theatreworks, St. Kilda
1993 Sight Regained: Ivan Dougherty Gallery, University of New South Wales, Sydney
Death: Ivan Dougherty Gallery, University of New South Wales, Sydney
Please Allow Me to Introduce Myself Video Installation: Contemporary Centre for Photography, Melbourne
Luminaries: Monash University Gallery, Melbourne
City Screens - Projections on City Buildings: Melbourne International Festival
Collective Space, Monash University Gallery, Melbourne
1992 Angelic Space, a commemoration of Piero Della Francesca's 500th birthday: Monash University Gallery, Melbourne
Next Wave Festival: Melbourne, International Installation Survey
Sweet Life: Dooley Le Cappellaine Gallery, New York, U.S.A.
Blast: Mori Gallery, Sydney
Rediscovery, Australian Artists in Europe 1981 - 1991: Seville, Spain; Paris; Amsterdam; Berlin
1992 Psychosoma: Plimsoll Gallery, University of Tasmania, Hobart
Sight Regained: Westpace Gallery, Victorian Arts Centre, Melbourne
The Phallus and its Functions: Ivan Dougherty Gallery, University of New South Wales, Sydney
1991 Off the Wall, In the Air - A Seventies Selection: Australian Centre for Contemporary Art, Melbourne
Chicago International Art Fair: Chicago, U.S.A.
90% Space 90 Degrees: Dooley Le Cappellaine Gallery, New York, U.S.A.
House of Value: Blum-Helman, New York, U.S.A.
Microcosm: Garry Anderson, Sydney
Rules - For - Drawing: Mori Gallery, Sydney
Architecture of Light: Mori Gallery, Sydney
Liberation: Deutscher Brunswick Street, Melbourne
1989 New Work: Powell Street Gallery, Melbourne
Scotchmans Hills Invitation Prize, Geelong Art Gallery, Geelong
Inner Visions - 5 Contemporary Printmakers: Australian Printmaking Council, Melbourne
Ten to Ten - Works on Paper: Powell Street Gallery, Melbourne
1988 Four Painters: Macquarie Galleries, Sydney
Strangways to Yandoit: Installation at Girgis & Klym Gallery, Melbourne
1987 Works on Paper: Powell Street Gallery, Melbourne
Invitation Drawing Prize: Heide Park Gallery, Melbourne
1986 New Work: Powell Street Gallery, Melbourne
Australijana - Contemporary Australian Painting: National Gallery ofYugoslavia, Belgrade, Yugoslavia
1985 Current Australian Art: Galleria Lillo, Venice, Italy
Isolaustralia - 13 Australian Artists: Fondazione Bevilacqua, La Masa, Venice, Italy
1982 Pinacotheca at Watters: Watters Gallery, Sydney
Preston to Phillip: Reconaissance Gallery, Melbourne
1981 La Mama Performance Festival, Melbourne
Australian Sculpture Triennial: Phillip Institute of Technology & La Trobe University, Melbourne
Self-Portrait, Self-Image: Curated by Janine Burke: National Gallery of Victoria
1979 Informal Sculpture: Melbourne University
Boxes: Ewing Gallery, Melbourne University
1978 Mildura Sculpture Triennial, Mildura
Lost and Found: Ewing Gallery, Melbourne University
Caltex Invitation Prize: Ballarat Art Gallery
1978 Curated: Drawing; Some Definitions: Ewing and George Paton Galleries, Melbourne University
Curated: East Coast Drawing: Institute of Modern Art, Brisbane
1975 Mildura Sculpture Triennial, Mildura
Artist's Artists: National Gallery of Victoria
Sculpture 75, Canberra
1974 Contemporary Outdoor Sculpture, Melbourne University
1973 Mildura Sculpture Triennial, Mildura
Contemporary Australian Paintings Cairnmillar Institute, Georges Gallery, Melbourne
Corio Invitation Prize: Geelong Art Gallery
Minni Crouch Invitation Prize: Ballarat Art Gallery
Concepture: Ballarat Art Gallery
1972 Australian Graphics: toured South America, Israel & Europe
Contemporary Australian Painting & Sculpture, toured New Zealand
COMPACT DISCS
2002 Shaker Road, nonplace records, Cologne, Germany
2001 TE AWATEA, Double CD, live performance recorded at TSB Stadium, New Plymouth, NZ
1998 love Songs for Lost Sheep, Double CD Voice/piano recorded at University of Western Sydney
1997 Let's Face the Music and Dance, Voice/piano recorded at University of Western Sydney
1997 The Intertwining, compact disc and publication, IMA, Brisbane
1997 Shaker Road, Double CD recorded at Sabbath Day Lake, Shaker Village, Maine, USA
1995 From The Opaque, Solstice piano performance recorded at Threadwaxing Space, New York
COLLECTIONS
Art Gallery of NSW
Art Gallery of Western Australia
Ballarat Fine Art Gallery
City of Banyule Art Collection
Geelong Art Gallery
Hamilton Art Gallery
Mildura Art Gallery
Monash University Collection
Museum of Modern Art, New York
National Bank Collection
National Gallery of Australia
National Gallery of Victoria
Phillip Institute of Technology Collection (now RMIT, Bundoora Campus)
Robert Holmes a Court Collection
Smorgon Family Collection
University of New South Wales
University of Melbourne Collection
University of Western Australia Art Collection
Venice Biennale Committee Collection
Victor and Loti Smorgon Collection
Private collections in Australia, Europe and USA
BIBLIOGRAPHY
Books, Articles and catalogues:
Burke, J. (1984) "Collaboration: Artists working collectively", in P.Taylor (Ed), Anything Goes: Art in
Australia 1970 - 1980, South Yarra, pp. 123-125
Chanin, E. (1990) Contemporary Australian Painting, Roseville, p. 115 & 159
Green, C. (1996) Peripheral Vision
Drury, N. (1988) New Art II
McKean, M. Australian Painting 1967 - 1972
Sturgeon, G. (1978) The Development of Australian Sculpture 1788- 1975, London, p. 213 & pp. 232-3
Sturgeon, G. (?) The Story of the Mildura Sculpture Triennial, pp. 58 & 7
Art & Aust.(1993) "Eleven Sons, Mori Gallery" Exhibition commentary, Art & Australia, Summer
Allen, T. (1996) “Sevenness” (review), Art/Asia Pacific, January
Brennan, K. (1993) "Please Allow me to Introduce Myself", Agenda, Iss.33, September, p. 11
Broker, D. (1995) "600,000 Hours (Mortality)", Art & Text, No. 50
Camhi, L. (1997) "The Quiet in the Land", Village Voice, September 7, New York
Cass, N. (1992) (in) Agenda, July
Catalano, G. (1988) "Artist's varied skills create puzzling features in painting", The Age, Melb., 3.8.88, p. 14
Catalano, G. (1990) "Two Hemispheres form well-knit world", The Age, May
Cripps, P. (1991) "The Art Zoo & Other Museum Models", Broadsheet, Vol. 20, 3rd Sept., p. 9
Cross, E. (1986) "de Clario Drawings", Art Network, Summer/Autumn 1986
Cross, E. (1986) (title not recorded), Art & Text, May
Curtis, S. (1997) "Quiet Confidants", World Art, V. 14
de Clario, D. (1998) "Silence Issue", Dialogue, June
de Clario, D. (1998) "The Spiritual in Art", Artlink, March
de Clario, D. (1992) "Success, failure and art critics", (letter to the editor), The Age, September
de Clario, D. (1996) "Art School before 1990", Artfan, Summer #6, 1996
de Lutiis, J. (1993) "Components of an Expression Machine", Agenda, Iss. 33, September, p. 10
Gilchrist, M. (1976) "Fragmented offerings", The Age, 27.10.76
Green, C. (1992) "Lost and Found: The Empire of Death", Binocular
Green, C. (1993) World Art, November, Inaugural issue
Green, C. (1993) "Bleak City", Art & Australia, Summer 1993
Green, C (1994) "Elemental Landscapes", ArtForum, Summer, 1994
Healey, C. (1994) "Elemental", Art Monthly, March 1994
Heathcote, C. (1992) "Exhibition puts a satirical spotlight on local installation art", The Age, Sept.
Hirsch, F. (1991) "Domenico de Clario", Arts Magazine, Vol.?, p. 67
Johnson, A. (1991) "Domenico de Clario", (Cover & article) Art and Text, No. 39, May, pp. 66-67
King, P. (1994) "Auras" Art & Australia, Winter 1994
Larson, K. (1997) "A Month in Shaker Country", New York Times, 10.8.97
Lynn, E. (1990) (Review) Weekend Australian, 25-6.8.90, p. 11
McCullough, T. (1993) "Mildura's Sculpture Heritage", Artlink, Vol. 13, No. 2, June-Aug., pp. 21-25
McKenzie, R. (1995) “Sevenness at Heide”, The Age, arts review
Morgan, R. (1991) (in) Cover Magazine, New York
Morin, F. (2000) The quiet in the Land, New York 2000, pp 103- 109
Plant, M. (1992) (in) Art and Text
Rooney, R. (1989) "Subtleties of Silence", The Weekend Australian, 25-6.11.89
Rooney, R. (1990) "Is an artist's stature based largely on size?", The Weekend Australian, 26-7.5.90
Scarlett, K. (1980) (in) Australian Sculptors, Melbourne, pp. 167-9
Schubert, R. (1994) "City Screens", Art & Text, January 1994
Schweidenwien, J.
(1992) Sculpture Magazine, New York
Sheridan, N. (1993) "How the old canons were destabilised in Mildura in 1975", Artlink, Vol. 13, No. 2, June-Aug., pp. 16-19
Stacey, A. (1991) "Memory Palace Installation: machine-for-contacting-the-dead, Domenico de Clario", The Interior, Vol. 1, No. 2, Sep-Nov, pp. 32-35
Starey, R. (1994) "The City Screen", Monument, Vol 1(2), 1994
Thomas, D. (1993) "Mildura, McCullough and performance", Artlink, Vol. 13, No. 2, June-Aug.,pp. 27-28
Trioli, V. (1993) "Promptings", The Age, 10.4.93, p.10
Watson, B. (1990) "Nationality Crisis inspires much in de Clario's work", The Sydney Morning Herald,
11.8.90, p. 74
Webb, P. (1991) "Memory Palace, Domenico de Clario", Agenda, Vol. ?, p. 6
Not recorded (1973) "Untitled but it wins", The Age, 24.11.73
Not recorded (1973) "Artist mops up $1,000 art prize", The Age, 24.11.73
Blackall, J. (1985) &
Bonito-Oliva, A. Isolaustralia, ex.cat., Fondazione Bevilacqua, La Masa, St. Marks Square, Venice, Italy
Blackall, J. (1986) Australijana, ex.cat., National Gallery of Yugoslavia, Belgrade, Yugoslavia
Burke, J. (1978) Lost and Found (Group exhib.) Ewing & George Paton Galleries, Melbourne, 10 - 27.10.78
Colless, E. (1991) Rediscovery: Australian Artists in Europe 1981 - 1991, ex. cat., Seville Expo, Spain, 1992 & Australian Embassy, Paris, France, 1992
Colless, E. (1997) the diver's clothes lying empty, Monash University Gallery, 18 April - 24 May, 1997
Cross, E. (1988) Domenico de Clario Survey Exhibition; Works on Paper 1968-1988, ex.cat., Macquarie Galleries, Sydney, 3 - 21.5.88
Cross, E. (1989) Interior Views, ex.cat., Print Council of Australia, Melbourne
Cross, E. (1990) Untitled essay, Machine-for-contacting-the-dead, ex. cat., Woolongong City Art Gallery, 6.7.90 - 5.8.90, & Memory Palace, ex.cat., Cable House, Melbourne, 16 - 30.3.91
Cross, E. (1991) Freedom of Choice, Heidi Park Art Gallery, Melbourne
Cross, E. (1993) Different Premises Fifth Sculpture Triennial, ex. cat., Australian Centre for Contemporary Art
de Clario (1989) Translations, ex. cat., Powell Street Graphics, Melbourne, 4 - 23.11.89
de Clario (1992) Message from the Emperor, ADA Building, Fitzroy, Melbourne, March
de Clario (1992) Mandorla, for the Angelic Space exhibition, Monash University Gallery, Melbourne, October
de Clario (1993) F.K/F.B : Components of an Expression Machine, ex. cat., upstairs, 340-342 Brunswick St.,Fitzroy, 21.2.93 - 14.3.93
de Clario (1993) D.d.C./35 Smith Street: Components of an Expression Machine, ex. cat., 35 Smith Street, Fitzroy, 15 - 27.3.93
de Clario (1993) L.O. + Bradken/Seven Points of Light: Components of an Expression Machine,
ex. cat., Cnr. Derby & Essex Sts., Pascoe Vale, Melbourne, 28.3.93 - 6.5.93
de Clario (1993) VidiDeus; Vidi Idem, (Pavidus), ex. cat., Centre for Contemporary Photography, Johnston Street, Fitzroy, 15. 5.93
de Clario (1993) The Trees, in Lux In Situ, ex. cat., Australian Centre for Contemporary Art, Melbourne, 10.9.93 - 17.10.93
de Clario (1993) Afterward (from a tower), ex.cat. , 25 Helen Street, Northcote
de Clario (1994) Afterward: From a tower, ex. cat., Auburn Uniting Church, Hawthorn
de Clario (1994) Solstice: The Seventh Loneliness, ex. cat., Auburn Uniting Church, Hawthorn
Engberg, J. (1992) Angelic Space, ex. cat., Monash University Gallery, Melbourne
Ex.Cat. General Australian Graphics: Toured South America, 1974
Toured New Zealand, 1974
5th Australian Sculpture Triennial, various, ex. cat's. , 1993
The Quiet in the Land: Everday Life, Contemporary Art and the Shakers, Portland Museum of Art, Maine, USA (1996 & 1997)
On Dialogue, Haus-Am-Waudsee, Berlin, 1997
Gates, M. (1992) "Eleven Sons in the gallery", Eleven Sons, ex. cat., Ian Potter Gallery,
University of Melbourne Museum of Art, 8.9.92 - 10.10.92
Green, C. (1992) "Eleven Sons", Eleven Sons, ex. cat., Mori Gallery, Sydney, 16.12.92
Green, C. (1993) Australian Perspecta, ex. cat., Sydney
Kennedy, P. (1990) Popular Front, ex.cat., Melbourne, Victoria
King, N. (1993) Luminaries, ex. cat., Monash University Gallery
McCullough, T. (1973) Mildura Sculpture Triennial, ex. cat., Mildura
McCullough, T. (1975) 6th Mildura Sculpture Triennial, ex.cat., Mildura
McCullough, T. (1978) 7th Mildura Sculpture Triennial, ex.cat., Mildura
McDonnell, D. (1992) Psychosoma, ex. cat., University of Tasmania
McKean, M. (1973) Contemporary Australian Painting & Sculpture, ex. cat.
Mori Gallery (1991) Chicago International Art Fair, ex.cat., Chicago, U.S.A.
Phipps, J. Off the Wall - In the Air, ex. cat., Australian Centre for Contemporary Art, Melbourne
Sayers, A. (1990) Architecture of Light, ex.cat., Mori Gallery, Sydney
Sheridan, N. (1976) Yearbook, ex. cat., Experimental Art Foundation, Adelaide
Welchman, J. (1992) Sight Regained, ex.cat., Victorian Arts Centre, Melbourne
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